Slab built and Slip-painted Ceramics – Responding to Place
Following Anna’s sold out courses over the past few years we are delighted to be inviting her back to Coombe in 2025. Anna has been a firm favourite potter of ours for many many years and her work is treasured by many.
Working from the gardens and landscape surrounding Coombe Farm, learn how to gather visual information and use drawing to develop designs for simple slab built ceramic platters, bowls, and cylinders. During this course you will practice techniques for use with tonal and coloured slips: layering and brushwork with slips, hand cut paper stencils, developing complex surfaces and sgraffitto drawing. Each participant will be encouraged to find a combination of techniques that appeals to them.
You will build a series of small hand-built forms, followed by a longer study to develop ideas, using drawn and relief designs.
There will be practical demonstrations for each technique and group discussion to encourage the generation of ideas and problem solving. Individual practical instruction will be tailored to each student’s needs as the project develops.
Techniques covered will include working with soft and leatherhard slabs; painting with multiple layers of slips; making hand cut stencils,; use of textural brushwork; producing a good finish on rims and feet.
Anna has been a full-time maker of handbuilt earthenware ceramics since 1980. In 1989 she moved with her husband, painter David AP Thomas, to North Yorkshire. They now share a studio, Junction Workshop, in an old shop next to the Burberry Mill in Airedale. Her many solo exhibitions include Contemporary Ceramics, London, The Scottish Gallery, Edinburgh and Galerie Terra Viva, France and she has exhibited extensively throughout Europe and the USA.
Anna builds her work from a white earthenware mixed clay, using a variety of techniques including slab-building, using both soft and firm slabs, and painting with slips.
Her ideas reflect an interest in place, exploring narratives relating to changes in farmland in her locality and the regeneration of orchards. Inspired by new nature writing, she engages with a common language beyond pastoral sentimentality, combining drawing with abstract qualities of pots, their spaces, edges, and surfaces.
Anna studied at Bath Academy of Art (BA Hons 3D design) and University of Central Lancashire (MA Ceramics) and is a Fellow of the Craft Potters Association.
As well as working in clay, Anna loves to cook, garden, walk, and draw in the landscape.
HOW DOES FIRING WORK/CAN I KEEP WORK I MAKE?
All the decorating of your work is completed during the course. If you have your own kiln you can then take the work home to be fired. If you would like us to fire it for you we will allow the work to dry, bisque fire, apply the glaze and fire again. This process takes time, how long will depend on the other work going through the studio at the time and we will keep you informed of the process and timeline. There is a charge of £5 per kilo for any work you’d like fired and glazed in this way (NB as a rule of thumb something the size of a mug costs around £1.40). Once completed you can collect your work or it can be couriered to you. Courier costs dependant on how much work and your location.
MATERIALS LIST FOR THIS COURSE
The pottery is equipped with essential tools and clay, glazes and slips for the course. In addition please bring the following with you.
Warm clothing and shoes suitable for a short walk
An apron
The following pottery tools if you have them and wish to use them (NB optional we will have enough for everyone but if you have items you want to bring feel free - small pointed vegetable knife, small boxwood tools, especially rounded, hooked or 45º pointed ones, old credit cards or silicone scrapers, loop tools, small sponge, a plant sprayer or similar)
1” Hake brushes, soft mopbrushes and soft (cheap is ok: real hair not acrylic) small watercolur brushes for painting slips.
Drawing materials and A4 sketchbook . A variety of items for making bold marks are good: graphite sticks, felt pens, neocolour crayons, woodies and ink.
Watercolour or coloured crayons or gouache – useful for developing designs.
A stencil knife if you have one (retractable ones are good)
Plastic bags – Large size freezer bags are good, or 5l or 10l bin bags or eco food caddy bags.
A box, and paper for transporting pieces home if you are not leaving them for firing at Coombe
SEASON
September at Coombe is all about the benefits of summer without the crowds. The weather still warm and you’ll be able to work inside the pottery and get outside for walks to gather source materials for the course. If its starting to get cooler we can light the log fires. If we get lucky with a warm day we can eat outside. Bliss.
MATERIALS LIST FOR THIS COURSE
If you have them, bring pottery tools, an apron, drawing materials, a sketchbook, scissors and lino cutting tools if you have them.
There will be a charge of £5 per kilo of clay to include materials and firing to stoneware temperature in an electric kiln. Finished work can be sent on for a small charge.
The total price for this residential course is £821 + VAT (£985) including all your food, accommodation and tuition.
At the point of booking/adding to cart, you are asked to pay a non-refundable* deposit of £150.
The remaining balance (£835) is payable three weeks before the course starts (either by bank transfer, cheque or card over the phone)
*Non-refundable and non-transferrable. Please read our full Terms & Conditions including cancellations.
The total price for this residential course is £593 + VAT (£712) including lunch, accommodation and your tuition.
At the point of booking/adding to cart, you are asked to pay a non-refundable* deposit of £150.
The remaining balance (£562) is payable three weeks before the course starts (either by bank transfer, cheque or card over the phone)
*Non-refundable and non-transferrable. Please read our full Terms & Conditions including cancellations.